Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

20100423

The exotic land.

Ohh~, Salvador, Salvador, Salvador.

If I could be there then I would say: "The ground is like a strong brownie cake!'

Of course this is based on Ego-Wrappin's records, the warm lazy voice is like the mermaid singing, to seduce me digging into the non-stop tracks. As well as the show-off smile on Ian's face in 'Life and Traveling' channel; or, his wrinkle on his cheek. How about the sunshine over there? I bet that would be the Sun at this noon, the temperture would wake me up naturally. It would be the alarm to affect my sense of hearing, but beginning from skins, slowly. It won't be the dominated noise to attack my ears , while it still kissing with the pillow.

'Come on, I thought you said "the first pick in my mind to be a passenger that is Jamica, the home town of Raggae!" "Bob Marley lies on the green grasses, besides yellow flowers, with big red sunset, smoking and waving his hand and ask you to come!" Did you see that?'

Of course Jamica is still my favorite. But I'm a capricornius guy and have numerous desires, because I'm just a normal human being, like we can't stop to buy those no-immeditate-no-needed luxury. I just can't help it. To get into the 'Zen' eternally that is not an easy task. My brother has told me: 'when his classmate servered in the army, he was assigned to Salvador to be the lieutenant. The army even subsidized him to learn Spanish, before he went there.' 'Wow, to speak latino language with native speakers in Salvador, indeed that is incomparable with speaking Spanish in Taipei this urban Jungle, especially when you know you may touch the died valcano, to see the ruined vestige from Maya or Martian or whatever it is; instead of speaking the foriegn monologue with youself in your city.

Let's step backward to the reality. At least when I step backward to my desk I can play the fabulous music singing out the Jamica, or drink the cup of coffee imported from Salvador. This kind of day dream is too selfward, but if I have to hide the feeling to enjoy the cup of coffee at this cold winter day due to guilty, then I really don't know how to situate with myself. To escape from this reality that's like the movie characters 'falling love in Buenos Aires, saying farewell in Iguazu waterfall', the transition becames the Odyssey to scour out the Utopia.

'Let's drift to somewhere!'

Yeah, the coffee drank into my throat is from Salvador, the movie playing front my eyes is about Argentina, and the song dancing in my ears is based at Jamica; all these appearences indicate me that the exotica is everywhere we want it to be. You know what? it's just like the new Russian restaurant opened at the corner of the cross roads recently, and I've got a Russian dolls from the flea market, the extension and dislocation of national identities that is the role-playing in our lives, we experience the cultural imitation at every morning when we open our eyes.

'So why the song is still so sorrowful?'

It's always like that. Like Afro Jazz, Brazil Samba and India Goa, The melody from these places telling the unknown romantic stories that always attract people to search the different folks, because we always like to be the foremost trailblazer to seeking these spetacular scenes!

"No, no I can't talk no more, otherwise I must go to the booth to purchase the flight ticket!"



---



薩爾瓦多,薩爾瓦多,薩爾瓦多。

到那的話大地會像是鬆軟的芋泥蛋糕吧。這種說法當然也是立基於 ego-wrappin’的唱片之上;不過溫暖的感覺就是這麼美好的使人不捨放手沈醉在重複 裡。就像成為knowledge頻道裡伊恩快樂賊悉的笑臉;或,僅只是嘴角上揚的那道細膩皺紋也好。所以太陽呢?那時太陽會永遠是今天中午叫人起床的溫 度,微慢的鬧鐘聲響轉化知感從皮膚親近開始。不會有尖銳的剝奪,在你髮梢耳垂之際。

可我說你不是最喜歡牙買加的嗎?雷鬼呀雷鬼耶。Bob Marley踩在紅黃綠的雲霧上向你招手著你看到沒?

當然呀我還是最愛它的;只不過偶一為之的凸錘放任這種美感實在叫人無法停歇,就像你愛買書愛買碟愛買衣愛買鞋的物慾一樣,忍不住的,有時,出世禁止。我哥 說他同學當了國防外交役的薩爾瓦多使節,出“兵“前還國家補助免資學習西班牙文3個月呢。咿咿呀呀的咬舌舔齒令人好不羨慕。尤其當你知道碰觸的到火山灰, 看得到馬雅或還是外星人?whatever…的昔日巢穴;而非在這煙囪樓管林立的都市高人一級講話,語焉不詳,無人傾聽。

退一步吧。退後點至少能聽到美妙的音樂,不是拉丁綺麗的哼哈也可以喝喝美洲的咖啡的。這樣的牽連雖說是有點顧影自憐;可在冬日的享受如果連自己泡杯不知來 源的咖啡都得躲藏的話那我真不知該如何自處了。而逃離之後黎耀輝跟何寶榮說著道別;屆時那旋轉瀑布不會只在我房間中成為微弱的燈火閃爍,我也能茲意開懷享 受水珠濺灑身軀的快感。

有三項囉。是呀,至少喉嚨裡的薩爾瓦多、眼睛上的布宜諾斯艾利斯,以及耳朵內的牙買加這些都告訴我中南美來了;不遠所在皆有。就像你知道嗎?在大路交接之 處有間新開的俄羅斯餐廳,我房間裡也有擺放俄羅斯出嫁娃娃一樣;不同空間的錯置延伸是你是我是他抑或她的角色扮演,知足常樂人說。

那為何她歌聲聽來還那麼慼妴勒,薩爾瓦多?

總是會有的。像瑞典像馬達加斯加像薩爾瓦多,不知名地方的浪漫情調勾人心水,這種射出就是要叫人空怨懟遙想,未知地方的敗壞最美;我想我再說也是得訂機票 了。



*translation from my previous prose, inspired by those entertainments and commodity.

20100418

Referent. 指涉.

"If I've got one more ticket, would you like to go with me?" "I~, Will~, Be~, Back!"

Sometime the life and dramas are playing cross-over to each other, and hardly identify which is the imitation and
which is the real life situation.

'2am passed ten, I have to wake up early to work.' I always remind myself like that. I don't know when is the time that I can say anything I want to and have no hesitation. 'Sucks!' I want to scream to everyone all around the world.

Love makes big trouble, even "the Troy" was caused by the four letters word. If I can be able to feel painful that means I still have the sense of pain. To live in the times that the ADs can only play the homophones, it makes me looking forward all the gossips such as Tom Cruise 'coming-out-of-the-box, caught by his wife' etc. Meantime perhaps my peripheral nerves can be pulsed a bit, and my cheeks can be moving upward.

Mum made a big pot of soup. I drank two small bowls to cheer her up. Deep Dish sings "Mohammend is Jesus", the "what-a-wonderful-world" Ray who is sleeping in the grave. The cruelty is like a toy played by us. If people cannot afford to buy the toy then they will look at the loneliness, they thought if they look at it longer enough, at least they can be a toy to be played.

My polaroid was piss-off, because it could only catch the snap shots. Perhaps I should buy a flight ticket, either going to Iceland or Greenland. The green emergency light pointed towards the "Sin City" desktop on my screen; when I wanted to cry, I thought about where shall I be crying loud instead of who should be the one crying with.

The death scares people due to the unknown, the life causes us suffering through the well-known. Which is just like Al Pacino saying in the movie - "The Devil's Advocate": "Look but don't touch, touch but don't taste; taste, but don't swallow!" Therefore our desires bend to referent, and people rely on the imagination to excite them moving forward.

If there is the chemistry between two persons that would be the perfect relationship. But probably that's why nowadays the chemistry becomes a kind of mystery. I don't even have the consistant ability between my heart and my body, so I can blame nobody but myself. I often imagine the most beautiful song in the world, that should be our joyful moans singing on the bed in our souls.

Perhaps I shall go to sleep, lie down immeditately; maybe I shouldn't drink the cup of coffee, sleep late so frequently. If I can make a wish, I would wish myself as the "Milkman" in Aphix Twin's CD, in that time, I hope I've got a black one to drink.

---

“如果有多張船菲,你會否同我齊走?”“I will be back.”

有時候電影人生、人生電影交錯縱橫就是這麼回事。

兩點多,明天要早起去上班。總是這樣告誡自己。可以大聲無愧說出自己心裡所想的時刻何時才會到呢?sucks!我想吼叫讓全世界都聽到。

TROY的木馬屠城跟阿基理斯腱原來都是愛情惹的禍。難過,只是因為還有知覺。生活於王力宏與黃綠紅在螢幕裡的時代,會讓人期待嚴凱泰出櫃;也許那末梢神 經會跳動一下,屆時,我的兩頰能往上牽動。

媽今天作了桌菜。我湯喝了兩碗。而Deep Dish說Mohammed Is Jesus;敢唱what a wonderful world的雷已逝。冷漠像個玩具被把玩著,玩不起的人就盯著孤單;彷彿盯久盯多之後,至少也能當個玩具。

我的拍立得很Piss Off,因為它在射出時只能捕捉瞬間。也許我該買張機票,去不了冰島至少去綠島。綠色的疏散方向燈指著紅色的sin city;想哭得時候會先想到這是哪裡而不是到誰懷裡哭。

死亡會讓人懼怕是因為未知,生活使人痛苦則是因為感知。就像Al Pacino在魔鬼代言人說的:“可以看卻不能摸,可以摸卻不能嚐。”慾望於是偏向指涉,人們靠著想像過日子。

默契是完美的。因此它才成為傳說。而我跟自己都沒有默契,所以也怪不得別人。我想人間最美麗的一首歌,就是嗯嗯啊啊的歡愉在誕生。

也許我該睡了,也許我該倒了;也許我不該喝咖啡,也許我不該熬夜。如果可以的話我想成為Aphex Twin的Milkman,每天只要咕嚕咕嚕就好;那時,希望能出黑色口味。



*translation from my previous prose, photo taken at Kroller Muller Museum Arnhem, Nederland; inspired by the movies, ADs and music in all of the above.

20100328

We are Cobra Kinski.

進入這部電影裡見其整個精神面的煎熬其實是很令人玩味的一段觀影過程. kinski & herzog之間的衝突矛盾在這部片中似乎一口氣地對彼此併發出來; kinski可說是極其用力的演繹 (雖說他的演出總是震撼, 再加上神貌頗為近似jack nicholson, 是種一見令人難忘面孔), 不論是角色劇情的需要或暗地裡的對herzog的掙扎吶喊, 我們都可見這不僅僅是部探討殖民問題或手段的影片, 很多更是對人性的控訴既質問.


cobra這個角色本身很有古人常說的: "人在江湖, 身不由己."的味道. 他既是殖民者 (對黑人部落來說代表者白色邪惡的侵略者), 也是被利用者 (被西方官僚奸商操縱的愚者莽夫). 他想要在蠻荒處女地建立起自我生存的價值, 訓練娘子軍的嚴厲與投入使“人“這個字眼在其自己心中又擁有了力量. 但殊不知在完成革命的使命後卻反被將了一軍, 變成裡外不是人, 成了部落鬥爭下的犧牲者, 真真正正地成為不知何日開始何時結束的流放者 (片尾一個人拖舟入海的畫面令人鼻酸, 彷彿既要跟大自然抵抗又要跟人造物(船)做抗衡); 而尾隨他在沙灘上留下足跡的殘障黑奴縮化成其自己心中的黑影, 像黑墨水滴在白紙上頭一樣, 成為永遠無法磨滅的痕跡.


而我們可以觀察到kinski的躁動在這部影片中不時浮現. 對於總是跟著herzog上山下海艱辛的拍片; 演員與導演間的權力角力似乎總是站在居下風的一方. 在一段cobra被捕滿臉塗上黑漆的一幕, 我感覺kinski的瞪視似乎是直接地想要看穿導演身軀 (或說我們觀者)的怒目. 他掙扎, 扭動, 甩頭, 癱軟; 唯一不變的是那含著怒意的眼神, 好像告訴我們這不僅僅是一部電影, 更是他人生經歷的一部份. 也好像是跟herzog說: 我們的糾纏到底要至何年何月方休止?


而herzog, 導演, 這個頭銜彷彿就是造物主的代名詞. 他一向以人類學家角度製作電影或仿紀錄片早已經不是新聞, 但在這部他與kinski五度(?)合作的片子中, 我們又再一次了解何謂戲劇與記實的意涵. 他利用kinski其性格明星的戲劇性 (就好像再寫實的故事你用了rober de niro, 多多少少還是會被他的長相所影響而暗自遙想他昔日的影片或本身的個性), 讓一幕幕當年殖民時代的工作及鬥爭場面有了一個主軸. 就好像西方文化個人主義神性的展現; 一旦有了宙斯, 眾神有再多的故事也只能當野獸了. 但這個神祉卻是注定出來就要墮落的, 於是那悲劇性又加深了一層.


在herzog心中, 好像沒人是無罪的. 即便是那個跟cobra敘述雪花是從月亮飄落下來的年輕酒館老闆, cobra劇中唯一的朋友, 也是懷著目的性的說著, 說著那些我們不知是真是假的傳說, 感覺只要我們相信, 我們也成為戲裡的一份子, 被herzog批鬥嘲笑了一番. 尤其在最後一段歌舞場面我們以為好像會有個美好的收尾時 (連cobra都露出難得的微笑), 卻沒想到這是笑裡藏刀的開端, 部落新酋給cobra的最後一場餞別禮. 我想至此, herzog之心已闡明的再清楚不過; everyone is guilty. 不管導演, 演員或觀眾, 身為人類這個物種, 身處歷史的洪流或身繫個人的立業, 爭奪, 永遠是無法抵抗也不能自己的宿命.

20080407

Joyful is companied with the painful, happiness is belonged to faithless.

The unpredictable anxiety occurs in my mind for quite long period. I cannot wipe it whether I attempt to or not. I feel the alienation, yet I can only do nothing but wait it to pass away. In recent time, this sort of condition is more obvious when I hanged out with my friends. And the joyful is companied with the painful, happiness is belonged to faithless.

Although I can pretend that I do not care or nothing happen, but the emotion that I try to hide harder which reveals the contrast to be more clear. Every single day I am thinking about the appropriate position of my ego, but to brief who I am that is not as easy as a pie. Especially in the present of my living time, for my hundred years of contemporary of
mine.

The isolation. The biggest possession of my own. The most valuable experience that I can go through to people. Today, I recognized I am a worm in the sealed pupa
when I woke up in the morning, and the opening date is discouraged unknown day, or even the complete darkness night. The only possible method that I can break the hole which may be as freedom as my imagination whether I am going to become the moth or the butterfly.

I watched the movie "control" in the cinema
this noon again. In addition, I can still sense the determination of suicide in the gloomy scene. The dismal is behind in Ian Curtis' voice, and each piece of lyrics shows the depress. Perhaps Ian just sang before our generation to announce the dour mood of nowadays, and our confusion is our illusion indeed.

20080317

design-en-scène

Design Cinema is an exhibition that will be held on November 2008 in Istanbul, Turkey. This discussible conference, themed as design-en-scène, is that they attempt to brief various of aesthetic theories between design and cinema. There are three categories under this issue that are real, hyper-real and virtual, which will be presented by different forms such as thesis, portfolio, proposal, application, performance(live or record), CD-Rom, DVD and so on.

Since we all know there are lots of media that we can apply to our artwork in the multi-function world nowadays. Thus, to combine variety aspects in one simple movie, or indicates viewers what object can classify the common sense of our system of communication, that will be able to the challenge of this meeting.

Sometimes, a coke can shows in a movie that is not just meaning of coca-cola. In addition, a piece of furniture or a frame of poster that is not a fortune to happen in the scene. It is the layout of motivated description.
It is the finest design in director's mind. It is all about personal sense. It is a film director who wants to create social memories to the audiences throughout a kind of group, a type of tribe, a sort of race or a form of culture; no matter it is fabulous or atrocious.

Furthermore, design is same as this occasion. When industrial designers or graphic designers who design their artwork, they also want to convince the consumers that is what they exactly desire to. "Buy" is not only purchasing the product but the concept. "Sale" is
not trading the benefit but the trust. What art is that is not the critical subject in this society. How to talk about art that must be the most significant topic to our community.

There are always a sign on the wall in the law-court called "in
god we trust". As well as some people said they choose to believe love, money, art, technology or even the new sort of religion - media. Therefore, what is the next that we can trust?

20080305

No country for old men, nor date for early spring.

是日驚蟄,計算的與人大不相同。

正午時分,在街道馬路上緩飆著我的摩托車,陣陣狂風伴隨沙礫迎面而來;即便緊閉著雙唇,還是依稀可以嚐到微小粒子與舌尖碰觸的感受。雖說早經由新聞報導得知本週將有大陸沙塵暴朝向這國度吹襲;但當晨間出門時候,對窗往頂頭和煦的太陽一望,還是壓根想不著這島嶼與那黃土藉由氣候提醒我其彼此之間羈絆不明的關係。

在五感之中,人們最不能忍受的應該是嗅覺這看不見聽不著碰不得嚐不到的感覺。所以戰爭時生化武器通常循此而侵。武俠小說中,最陰損的通常也是無色無味這門毒物了。可生活上不只如此,許許多多的滿意與不滿足,經常只是一丁點兒眼礙或溺愛,就能併發意料不到的影響。

下午看完了no country for old men,看過Tommy Lee Jones與Woody Harrison的演繹後,就會察覺,有的人物或演員終其一生其實都在詮釋同樣的角色;或說他們的型格路線,就是持續不斷地表現某種硬漢本色或詼諧演出。如同法國導演Jean Renoir曾說過:

“一位導演一生中其實僅僅只拍一部電影,至於其他的影片,都是複製,只不過是著力於那部影片所包含的主題罷了。”

演員何嘗不是。經典角色的重複不在 於他的背景或其表演的故事內容,常常,都是其詮釋的方式令人著迷。我們會為之瘋狂,都因為不只是某人的演誰像誰,更是演誰都是某者了;對於電影,要是導演 是代表之名詞的話,也許演員就是加諸其上的形容詞吧。話說回頭,作家、畫家、藝術家甚至是想到達某種殿堂高度的各行各業之專精,誰不如此呢。


也許萬花鏡所照之眾生乾坤,人間劇場卻齣齣精彩不暇。

20071128

戲謔的諷刺

假如你帶著觀看前作Interstella 5555的經驗來看Daft Punk其新作Daft Punk's Eletroma的話,我想你會吃驚的合不攏嘴。以整體音樂調性及視覺呈現來說,你幾乎感覺不出這是相同團隊出品的影片;當然,他們招牌的機械頭盔和勁裝除外。

影片的
剛開始是台黑色的跑車等候著他們倆人,車牌上暗自的幽了自己一默印著 -
“HUMAN”。途中,他們經過了典型有如Truman Show的美國社區,看到形形色色的各行各業,在乍看平凡的生活下,讓人感到突兀的是人人不分男女老少,都戴著與他們相同的頭盔;似乎隱隱暗示在當今社會人際關係之下,每個人其實都戴著不同程度的面具過活,與他人交流僅存的自我,一切社會化的行徑讓人往往難以看清本體的面貌。

劇情緊接在他們緩緩駛入一間看似學術機關的研究單位裡頭,進到內裡可以發現,室內整體是白色通調並略帶極簡與復古儀器的情懷。在刻意營造無色差讓人感覺出白色的背景與彷若未知力量派來的白色的使者融為一體,而他們想要藉由此力量改變什麼,然後在一陣好似乳膠塗抹於頭臉之後;出現兩張可笑又略帶驚異表情的嘴臉,觀者這時也了解他們此行的目的:改造自己成為人類。至此,也呼應了他們車牌其實開始就想要訴說的使命。

之後這哼哈二將輕鬆愉悅的步出機構,走向人群,好像接下來就是應該快樂的傻瓜節奏出場了。不過,這回卻看到他們經過的社區人士無不對他們行注目禮,彷彿他們乍看正常的人類面容才是不該存在的事物;這時烈日驕陽開始發威,他們的矽膠面具逐漸融化,猶如小男孩落在地上的甜筒一般,泥狀且無法挽回的不堪。兩人這時悔恨地遁入一間廁所對鏡一照更覺羞愧,於是將片片溶解的面具及衣物剝下,回復本來的機械面貌,繼續踏上空乏的旅程。在這段劇情中讓人了解他們戲謔的諷刺,悄悄點出人與人之間的stereotype是多麼地根深蒂固的影響周遭社會
及自我,不論我們如何改變或是轉換表現自己的方式,心中的尺規及他人的眼光仍是我們在這所謂“自由”社會下無法逃避之宿命,自我認同更或多或少的只能建立在旁人的審視下;幽默,也僅能提供(苦)笑話一則罷了。

而接著在漫步於黃沙遍野的美國邊境中,兩人好似失魂一樣漫無目的地繼續向前行,經過烈日的照射與沙漠空幽廣闊
的環繞,其中一人終於在受不了的情況下,要求另一位按下背後的自爆鈕,選擇結束自己的生命。而剩餘的一位在他友伴自盡之後,更如孤魂野鬼的走著;最後,他取下自己的頭盔(如主機板無表情卻又叫人看之心酸的臉孔),利用太陽的折射燃燒自己最後的軀體。在最後長達三分鐘熊熊火焰的畫面裡,他漫步於黑暗中消失於邊角的盡頭,美的令人心悸;伴隨著I want to be alone的歌聲,極度憂傷,極度孤寂。堪稱本年度我所見最動容的鏡頭之一。

綜觀全片,即便它未發一語,但要傳達的訊息卻再清晰不過。至少對我而言。相對DP一向的歡樂樂曲,你很難想像他們第一齣自己的長片(
Interstella 5555不算的話畢竟那是銀河鐵道九九九的松本零士所導)卻是那麼讓人苦笑不忍,不過卻更叫人期待他們接下來的作品。而這樣的將自己快樂建鑄在他們所呈現的無奈之下,是否也是種變相的加諸?也許再多講下去就是迂了;還是繼續看這些滋養我成長的事物吧。