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又到選舉。人人又在分門別「號」。所謂的民主或君主體制的實踐誰輸孰贏在過了幾世紀後還沒有個定奪的句號。對這些眾人之事的冷感不只是我感到灰心於這制度；有時，更多的是對人與人之間的不信任與眾志成城的意志感到恐懼的排斥。 從小在這殖民文化灌溉的土壤成長，島國的井蛙心態不斷被放大妄想，卻不知世界上還有更多相較於分「類」的事值得我們去追求或努力。
和父親閒逸的散步是我最能接受與他相處的模式。相信他也這麼認同。 縱使我倆話都不多，但當我快步向前偶一緩慢踱步回身等待他跟上時，那種錯置就像我回到了孩提時期，急忙的想要追上他的背影或被他半拉手的小跑步跟及。微微 移動兩人融合的團體感。而如今，彷若是角色互換的對於時間差異的聯繫，我不會感到不耐，他也不覺得悲哀；我倆的默契對於行進往前的一致性讓我感覺這血緣父 子真正的羈絆。而這種種一切都是真實的。
剛過午夜，我偷偷地又想念了思慕的人。那些被我思念的人們不知是否也在懷念他者。這樣的相思循環要是又轉回了我自身那感應該不該被標的成為一種無可磨滅的痕跡烙印在彼此的思緒。就像是四處流轉的信件被郵差不經意地攆了塊指模；或說隨風飄散的花蕊芯兒遭蟲蟻啃了口洞。思念的包裹給無知的戳章沾染；途中，擁有了眾人的經歷，因而增加更多私密地想像的記憶。
門掩著，風輕聲吹過時門把與門鎖會敲出低八度音的叮叮咚咚。電腦的風扇持續地嗡嗡叫及窗外水管漏水三五秒偶間斷的滴滴響有所唱和，有所互動。如果還有什麼沒得訴說，大概就是今晚未譜出的隱約脈絡。
The loneliness is rising. As though I am near by the sun, which convinces me to be melted into it, or just leaves it far away; as the comet goes far far away.
"Good night." Your typing revealed on the flat screen. Yet I thought there was nothing could be able to compare with the glory morning, which I viewed after the next quarter-hour. With regard to listened the clicking audio on MSN messenger, I missed your voice and breathe front my face more and more. In addition, to compare with your sounds, I desired to see though your sight more often, which had the blurred reflection of mine shadow in the pupil of your eye. This kind of illusion made me wonder that we might born naturally to be one.
I walked myself on the empty street. There were couples kitty taking catnap on the wall when the orderly still slept in on the bed. I felt I am a King Penguin lost in the vast South Pole. It was not a frozen night but a bit chilled to the bone. Perhaps I deserved to like to jogging on the road in this night.
I forgot I have eaten the breakfast in the morning or not, which I bought in the shop and put on the dining table in my house. Although now I am lining on the bed, looking the ceiling, caressing the pillow and bedquilt, and imagining the fragrance and temperature that you had been left to; I am in complete ignorance that would you have sleepless wiggle instead of the memories between us or otherwise.
P.S. The upper balcony is the most closeness place to sunshine.
*Translative version from used article.
存在的片刻繞 起
大風吹的把戲
或站與坐，
就座即立。
菸捲勾搭呼吸
眼神玩弄肢體
腳巴子跟地板擊掌發出批哩趴啦的嘻笑；
角色扮演達成虛擬實境。
樂捐慷慨地散步於空氣中的點點滴滴；
酣寐促使誘媚點頭行禮。
抵達不了的一見鍾情準備和風聲，口語，呢喃，
發射同歸於盡的偷襲。
愛總是那一夜那一霎 那
趕不及的惋惜
她的唇印在他的唇上時，影子感覺那真是奇怪的一吻：不是為他而吻，而是為酒吧裡的其他人，讓他們知道她已經選邊站了。那是表現沙文主義的一種吻。即使她吻著他，他也很清楚，她根本不喜歡他 - 或應該說，不是一般所謂的喜歡。*
*本段文字節錄於美國眾神。尼爾‧蓋曼著。
Design Cinema is an exhibition that will be held on November 2008 in Istanbul, Turkey. This discussible conference, themed as design-en-scène, is that they attempt to brief various of aesthetic theories between design and cinema. There are three categories under this issue that are real, hyper-real and virtual, which will be presented by different forms such as thesis, portfolio, proposal, application, performance(live or record), CD-Rom, DVD and so on.
Since we all know there are lots of media that we can apply to our artwork in the multi-function world nowadays. Thus, to combine variety aspects in one simple movie, or indicates viewers what object can classify the common sense of our system of communication, that will be able to the challenge of this meeting.
Sometimes, a coke can shows in a movie that is not just meaning of coca-cola. In addition, a piece of furniture or a frame of poster that is not a fortune to happen in the scene. It is the layout of motivated description. It is the finest design in director's mind. It is all about personal sense. It is a film director who wants to create social memories to the audiences throughout a kind of group, a type of tribe, a sort of race or a form of culture; no matter it is fabulous or atrocious.
Furthermore, design is same as this occasion. When industrial designers or graphic designers who design their artwork, they also want to convince the consumers that is what they exactly desire to. "Buy" is not only purchasing the product but the concept. "Sale" is not trading the benefit but the trust. What art is that is not the critical subject in this society. How to talk about art that must be the most significant topic to our community.
There are always a sign on the wall in the law-court called "in god we trust". As well as some people said they choose to believe love, money, art, technology or even the new sort of religion - media. Therefore, what is the next that we can trust?
我拉開紗窗走到陽台邊上眺望著，雖然前幾天還是陰雨綿綿晨間起床感覺溼漉的冬日，但今夜卻可以呼吸到草地上枝芽叢生早春的氣息了。她見我在陽台晃蕩，也跟著蹓躂出來。
“你怎跑了出來？”她問。
“你身上有菸麼？給我一根。”
“你不是不抽菸的嗎？”
“癮頭上來時候，感覺胸口總要有煙充斥著才像在呼吸似的。”
“吶。”她從懷中拿出一枝菸，叼著點上火吸了口確定火星在燃燒後，將菸遞給了我。
我吸了一口，感覺先是肺裡即刻鼓漲然後一陣氣流衝上腦門帶來了微微昏眩的飄移感。有種不安全的安定感。微瞇著眼熟悉卻不熟識般的瞧著她或穿越她的後方。若有似無地。瞅著。直到後面成為乍看之下像白茫一片細瞄卻是不停閃爍發光的亮點，周遭逐漸融化有如泥狀樣攪和成一塊兒，連她的臉也捲了進去；像漩渦，而沉入深海底的可能是神諭的啟示現場。縱使我從未曾親臨過。
鑿空了見底
透了。
隱約的心思 始
終還浮還沉醞釀飄零
加把勁兒，
撩出力呢
散落滿地書頁本冊，
座立翻倒趴臥跪傾 只
為 / 唯物用玩興頭，
花草片紙彩誘
恍世不過金魚數圈轉繞圜迴。
是日驚蟄，計算的與人大不相同。
正午時分，在街道馬路上緩飆著我的摩托車，陣陣狂風伴隨沙礫迎面而來；即便緊閉著雙唇，還是依稀可以嚐到微小粒子與舌尖碰觸的感受。雖說早經由新聞報導得知本週將有大陸沙塵暴朝向這國度吹襲；但當晨間出門時候，對窗往頂頭和煦的太陽一望，還是壓根想不著這島嶼與那黃土藉由氣候提醒我其彼此之間羈絆不明的關係。
在五感之中，人們最不能忍受的應該是嗅覺這看不見聽不著碰不得嚐不到的感覺。所以戰爭時生化武器通常循此而侵。武俠小說中，最陰損的通常也是無色無味這門毒物了。可生活上不只如此，許許多多的滿意與不滿足，經常只是一丁點兒眼礙或溺愛，就能併發意料不到的影響。
下午看完了no country for old men，看過Tommy Lee Jones與Woody Harrison的演繹後，就會察覺，有的人物或演員終其一生其實都在詮釋同樣的角色；或說他們的型格路線，就是持續不斷地表現某種硬漢本色或詼諧演出。如同法國導演Jean Renoir曾說過：
“一位導演一生中其實僅僅只拍一部電影，至於其他的影片，都是複製，只不過是著力於那部影片所包含的主題罷了。”
演員何嘗不是。經典角色的重複不在 於他的背景或其表演的故事內容，常常，都是其詮釋的方式令人著迷。我們會為之瘋狂，都因為不只是某人的演誰像誰，更是演誰都是某者了；對於電影，要是導演 是代表之名詞的話，也許演員就是加諸其上的形容詞吧。話說回頭，作家、畫家、藝術家甚至是想到達某種殿堂高度的各行各業之專精，誰不如此呢。
也許萬花鏡所照之眾生乾坤，人間劇場卻齣齣精彩不暇。
又到選舉。人人又在分門別「號」。所謂的民主或君主體制的實踐誰輸孰贏在過了幾世紀後還沒有個定奪的句號。對這些眾人之事的冷感不只是我感到灰心於這制度；有時，更多的是對人與人之間的不信任與眾志成城的意志感到恐懼的排斥。 從小在這殖民文化灌溉的土壤成長，島國的井蛙心態不斷被放大妄想，卻不知世界上還有更多相較於分「類」的事值得我們去追求或努力。
